Open Data in Heritage Science

M. Hofmann, ‘The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)’, The Mellon Digital Documentation Project, 2008.

‘Blenheim. [...] Raphael. The altar piece from the church of St. Fiorenzo, at Perugia. […] The picture is in excellent preservation. An attempt to clean it has been made at the lower part [one foot of Saint John]; but, fortunately, proceeded no further. It is well known that Raphael painted this picture for the heirs of Filipo di Simone Ansidei, who had bequeathed a considerable sum for the erection of a chapel. Gavino Hamilton purchased it for Lord Robert Spencer, in 1764; and a copy by Nic. Monti was substituted, which still exists in the church of St. Fiorenzo. Lord Spencer afterwards presented the original to his brother, the Duke of Marlborough. […].’@en

‘Blenheim. […] Raphael. Das Altarblatt aus der Servitenkirche St. Fiorenzo zu Perugia. [...] Das Gemälde ist von vortrefflicher Erhaltung, und nur an dem einen Fuss des Johannes wurde ein Versuch gemacht, es zu waschen; glücklicherweise liefs man sogleich davon ab. Bekanntlich malte Raphael dieses Bild für die Erben des Filippo die Simone Ansidei, welcher zur Errichtung einer Kapelle eine bedeutende Summe hinterlassen hatte. Erst 1764 erstand Gavino Hamilton das Bild für Lord Robert Spencer und liess von Nic. Monti eine Copie für die Kirche machen, die sich noch in St. Fiorenzo befindet. Lord Spencer schenkte nachmals das Original an den Herzog von Marlborough, der es nun in Blenheim aufbewahrt. […].’@de

Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)

‘Mr. Morison sold a picture of Raphael lately to Lord Robert Spencer for a thousand pounds wh. tho a true picture of the master yet I may savely acertain that it is not worth one figure onely of this picture of Leonardo’.@en

Letter from Gavin Hamilton to Margaret Georgiana, Countess Spencer, of 3rd December 1768, London, British Library, Add. 75686 (see also Cassidy 2008, pp. 672-5)

‘The Bow Window Room. Over the chimney is a capital original picture of the Virgin and Child, St. John and St. Nicholas, – by Raphael. This picture was brought over by the Right Hon. Lord Robert Spencer to his brother the Duke of Marlborough, having been purchased by him in 1768, from the Cappela degli Ansidei at Perugia.’@en

New Oxford guide [1778], p. 99

Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough@en

@en

Crowe and Cavalcaselle 1882, I, pp. 222-7

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 122-123.

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 124v-125.

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 118-119.

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 125v-126.

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 120-121.

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 117v-124.

Cavalcaselle Notebook, Biblioteca Marciana, Venice, It. IV 2037 (12278), tacc. XIV, ff. 126v-129+, 127+, 128.

Passavant 1833, pp. 173-4; Passavant 1836, II, pp. 2-4 (translation)

‘Raphael painted this altarpiece for the Chapel of St. Nicholas of Bari in the church S. Fiorenzo at Perugia which belonged to the Ansidei family, and for its decoration Filippo di Simone Ansidei, who died in 1490, left a considerable bequest. Lord Robert Spencer bought the picture for a considerable price in the year 1764 through Gavin Hamilton and against a copy by Nicolo Monti which is still situated in the church. The lord presented it later to his brother, the Duke of Marlborough, who keeps it in the gallery in Blenheim palace.’@en

‘Rafael malte diese Altartafel für die Capelle S-Nicolo di Bari in der Kirche S. Fiorenzo zu Perugia, welche der Familie Ansidei gehört und zu deren Ausschmückung der im Jahr 1490 verstorbene Filippo di Simone Ansidei ein bedeutendes Vermächtniss hinterlassen hatte. Durch Galvino Hamilton erstand im Jahr 1764 Lord Robert Spencer das Bild für einen bedeutenden Preis und gegen eine von Nicolo Monti verfertigte Copie, die sich noch in der Kirche befindet. Der Lord schenkte es nachmals seinem Bruder, dem Herzog von Marlborough, der es in der Gallerie im Palast Blenheim aufbewahrt.’@de

Passavant 1839, II, no. 32

‘The Madonna of the Ansidei Family (1505). […] Raphael painted this altarpiece for the chapel of Saint Nicholas of Bari in the church S. Fiorenzo at Perugia; a chapel which belongs to the Ansidei family, and for the decoration of it Filippo di Simone Ansidei, deceased in 1490, left a considerable bequest. By the intervention of Gavin Hamilton, this beautiful painting was bought in 1764 by Lord Robert Spencer for a considerable sum and in exchange for a copy made by Nicolas Monti which is still at the church. The noble Lord gave the painting later to his brother the Duke of Marlborough; today it is still preserved at Blenheim Palace.’@en

‘Madone de la famille Ansidei (1505). […] Raphaël peignit ce tableau d’autel pour la chapelle de saint Nicolas de Bari, dans l’église S. Fiorenzo, à Pérouse ; chapelle qui appartient à la famille Ansidei, et pour la décoration de laquelle Filippo di Simone Ansidei, mort en 1490, laissa un legs considérable. Par l’entremise de Galvino Hamilton, ce beau tableau fut acheté, en 1764, par lord Robert Spencer pour une somme considérable, et en échange d’une copie faite par Nicolas Monti, laquelle est encore dans l’église. Le noble lord donna plus tard ce tableau à son frère le duc de Marlborough ; il est encore aujourd’hui conservé à Blenheim Palace.’@fr

Passavant 1860, II, no. 26

‘The Madonna of the Ansidei Family (1505). […] This altar-piece was originally painted for the chapel of St. Nicholas of Bari in S. Fiorenzo, at Perugia, but it was sold to Lord Spencer in 1764, and by him presented to his brother, the Duke of Marlborough, in whose palace at Blenheim it still remains. […].’@en

Passavant 1872, no. 26

‘[Blenheim Palace] This picture, which Raphael, according to Vasari, painted, after his first residence in Florence, for the family chapel of the Ansidei, in the church of the Serviti, or S. Fiorenzo, at Perugia, is a highly important work […]. Till the year 1764 this picture remained in the church of S. Fiorenzo. At that time it was purchased by Mr. Gavin Hamiliton for Lord Spencer, who subsequently presented it to the Duke of Marlborough.’@en

Waagen 1854, III, pp. 127-8

‘In the second painting [Ansidei Madonna], also referred to in 1505, [...]. In the year 1764 Gavin Hamilton bought it from this church in Perugia for Lord Robert Spencer, who gave it later to his brother, the Duke of Marlborough. Since then it has been at the seat of this family, at Blenheim Palace.’@en

‘In dem zweiten Bild [Ansidei Madonna], ebenfalls mit 1505 bezeichnet, […]. Im Jahr 1764 von Gavin Hamilton aus jener Kirche in Perugia für Lord Robert Spencer gekauft, schenkte es dieser später seinem Bruder, dem Herzog von Marlborough. Seitdem befindet es sich auf dem Landsitz dieser Familie, dem Schloß Blenheim.’@de

Waagen 1859, pp. 272-3

Inventory, National Gallery Archive, London, NG2/1.

SPARQL: Find and display the details for a given digital text

PREFIX rdfs:<http://www.w3.org/2000/01/rdf-schema#>
PREFIX owl:<http://www.w3.org/2002/07/owl#>
PREFIX rdf:<http://www.w3.org/1999/02/22-rdf-syntax-ns#>
PREFIX crm:<http://www.cidoc-crm.org/cidoc-crm/>
PREFIX aat:<http://vocab.getty.edu/page/aat/>
PREFIX wd:<http://www.wikidata.org/entity/>
PREFIX ng:<https://data.ng-london.org.uk/>
PREFIX dig:<http://www.cidoc-crm.org/crmdig/>
PREFIX sci:<http://www.cidoc-crm.org/crmsci/>

# Find and display the details for a given digital text.

SELECT DISTINCT 
    ?text ?title ?label 
    ?child ?child_title ?child_label ?child_order ?child_content ?child_note ?child_thumb ?child_caption
    ?childl2 ?childl2_title ?childl2_label ?childl2_order ?childl2_content ?childl2_note ?childl2_thumb ?childl2_caption
WHERE {
  ?text rdfs:label ?label ;    
    crm:P102_has_title ?tn  ;
    crm:P67_refers_to ?painting .
  ?tn rdfs:label ?title . 
OPTIONAL { 
  ?text crm:P106_is_composed_of ?child .
  ?child rdfs:label ?child_label ;
    crm:P43_has_dimension ?chdn;
    crm:P102_has_title ?chtn .
  ?chtn rdfs:label ?child_title .
  ?chdn crm:P90_has_value ?child_order .   
  OPTIONAL { ?child  rdf:value ?child_content . }   
  OPTIONAL { ?child crm:P3_has_note ?child_note . }
  OPTIONAL {
    ?child crm:P67_refers_to ?cimn . 
    ?cimn crm:P2_has_type aat:300215302 .
    ?cimn crm:P70_is_documented_in ?ccd .
    ?ccd crm:P2_has_type crm:E31_Document .
    ?ccd rdfs:label ?child_caption.  
    ?cimn crm:P65_shows_visual_item ?cvim .
    ?ctim crm:P65_shows_visual_item ?cvim .
    ?ctim crm:P2_has_type wd:Q873806 .
    ?ctim crm:P48_has_preferred_identifier ?ctbn .
    ?ctbn rdf:value ?child_thumb . 
    }
  OPTIONAL { 
    ?child crm:P106_is_composed_of ?childl2 .
    ?childl2 rdfs:label ?childl2_label ;
      crm:P43_has_dimension ?chl2dn;
      crm:P102_has_title ?chl2tn .
    ?chl2tn rdfs:label ?childl2_title .
    ?chl2dn crm:P90_has_value ?childl2_order .   
    OPTIONAL { 
        ?childl2  rdf:value ?childl2_content  . 
        #FILTER(LANG(?child_content) = "en") .
        } .
      OPTIONAL {  ?childl2 crm:P3_has_note ?childl2_note . }
      OPTIONAL {
        ?childl2 crm:P67_refers_to ?cl2imn . 
        ?cl2imn crm:P2_has_type aat:300215302 .
        ?cl2imn crm:P70_is_documented_in ?cl2cd .
        ?cl2cd crm:P2_has_type crm:E31_Document .
        ?cl2cd rdfs:label ?childl2_caption.  
        ?cl2imn crm:P65_shows_visual_item ?cl2vim .
        ?cl2tim crm:P65_shows_visual_item ?cl2vim .
        ?cl2tim crm:P2_has_type wd:Q873806 .
        ?cl2tim crm:P48_has_preferred_identifier ?cl2tbn .
        ?cl2tbn rdf:value ?childl2_thumb . 
        }
      }  
    }
    FILTER ( ?painting = ng:0EWJ-0001-0000-0000 &&  ?label = "Hofmann_Provenance_2008_NG1171_Part_II"@en  ).
  } 
ORDER BY ASC (?child_order) ASC (?childl2_order)
LIMIT 50

Query Results

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Bekanntlich malte Raphael dieses Bild f\u00fcr die Erben des Filippo die Simone Ansidei, welcher zur Errichtung einer Kapelle eine bedeutende Summe hinterlassen hatte. Erst 1764 erstand Gavino Hamilton das Bild f\u00fcr Lord Robert Spencer und liess von Nic. Monti eine Copie f\u00fcr die Kirche machen, die sich noch in St. Fiorenzo befindet. Lord Spencer schenkte nachmals das Original an den Herzog von Marlborough, der es nun in Blenheim aufbewahrt. [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Passavant_1833/P4386_036-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1833, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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It is well known that Raphael painted this picture for the heirs of Filipo di Simone Ansidei, who had bequeathed a considerable sum for the erection of a chapel. Gavino Hamilton purchased it for Lord Robert Spencer, in 1764; and a copy by Nic. Monti was substituted, which still exists in the church of St. Fiorenzo. Lord Spencer afterwards presented the original to his brother, the Duke of Marlborough. [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Passavant_1836_II/P4386_064-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1836, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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Bekanntlich malte Raphael dieses Bild f\u00fcr die Erben des Filippo die Simone Ansidei, welcher zur Errichtung einer Kapelle eine bedeutende Summe hinterlassen hatte. Erst 1764 erstand Gavino Hamilton das Bild f\u00fcr Lord Robert Spencer und liess von Nic. Monti eine Copie f\u00fcr die Kirche machen, die sich noch in St. Fiorenzo befindet. Lord Spencer schenkte nachmals das Original an den Herzog von Marlborough, der es nun in Blenheim aufbewahrt. [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Passavant_1836_II/P4386_064-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1836, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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[\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Scharf_1862_39-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Scharf 1862, p. 39."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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Bekanntlich malte Raphael dieses Bild f\u00fcr die Erben des Filippo die Simone Ansidei, welcher zur Errichtung einer Kapelle eine bedeutende Summe hinterlassen hatte. Erst 1764 erstand Gavino Hamilton das Bild f\u00fcr Lord Robert Spencer und liess von Nic. Monti eine Copie f\u00fcr die Kirche machen, die sich noch in St. Fiorenzo befindet. Lord Spencer schenkte nachmals das Original an den Herzog von Marlborough, der es nun in Blenheim aufbewahrt. [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Scharf_1862_39-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Scharf 1862, p. 39."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-EDDU-FJ2U-I8WX-PGC7"},"child_title":{"xml:lang":"en","type":"literal","value":"Erroneously assumed to have been bought in 1764 by Gavin Hamilton on behalf of Lord Robert Spencer"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0001"},"child_order":{"type":"literal","value":"1"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Blenheim. [...] Raphael. The altar piece from the church of St. Fiorenzo, at Perugia. [\u2026] The picture is in excellent preservation. An attempt to clean it has been made at the lower part [one foot of Saint John]; but, fortunately, proceeded no further. It is well known that Raphael painted this picture for the heirs of Filipo di Simone Ansidei, who had bequeathed a considerable sum for the erection of a chapel. Gavino Hamilton purchased it for Lord Robert Spencer, in 1764; and a copy by Nic. Monti was substituted, which still exists in the church of St. Fiorenzo. Lord Spencer afterwards presented the original to his brother, the Duke of Marlborough. [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Scharf_1862_40-1-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Scharf 1862, pp. 40-1."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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[\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Scharf_1862_40-1-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Scharf 1862, pp. 40-1."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-EDDU-FJ2U-I8WX-PGC7"},"child_title":{"xml:lang":"en","type":"literal","value":"Erroneously assumed to have been bought in 1764 by Gavin Hamilton on behalf of Lord Robert Spencer"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0001"},"child_order":{"type":"literal","value":"1"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Blenheim. [...] Raphael. The altar piece from the church of St. Fiorenzo, at Perugia. [\u2026] The picture is in excellent preservation. An attempt to clean it has been made at the lower part [one foot of Saint John]; but, fortunately, proceeded no further. It is well known that Raphael painted this picture for the heirs of Filipo di Simone Ansidei, who had bequeathed a considerable sum for the erection of a chapel. Gavino Hamilton purchased it for Lord Robert Spencer, in 1764; and a copy by Nic. Monti was substituted, which still exists in the church of St. Fiorenzo. Lord Spencer afterwards presented the original to his brother, the Duke of Marlborough. [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Scharf_1862_title-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Scharf 1862, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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[\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passvant 1836, II, pp. 2-4 (translation) (see also Passavant 1839, I, p. 88 and 1839, II, p. 44; Waagen 1854, III, p. 128; Scharf 1862, p. 40)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Scharf_1862_title-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Scharf 1862, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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Over the chimney is a capital original picture of the Virgin and Child, St. John and St. Nicholas, \u2013 by Raphael.\nThis picture was brought over by the Right Hon. Lord Robert Spencer to his brother the Duke of Marlborough, having been purchased by him in 1768, from the Cappela degli Ansidei at Perugia.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"New Oxford guide [1778], p. 99"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/New_Oxford_Guide_1778/P4386_029-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"New Oxford Guide 1778, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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[...] Raphael. The altar piece from the church of St. Fiorenzo, at Perugia. [\u2026] The picture is in excellent preservation. An attempt to clean it has been made at the lower part [one foot of Saint John]; but, fortunately, proceeded no further. It is well known that Raphael painted this picture for the heirs of Filipo di Simone Ansidei, who had bequeathed a considerable sum for the erection of a chapel. Gavino Hamilton purchased it for Lord Robert Spencer, in 1764; and a copy by Nic. Monti was substituted, which still exists in the church of St. Fiorenzo. Lord Spencer afterwards presented the original to his brother, the Duke of Marlborough. [\u2026].\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passavant 1836, II, pp. 2-4 (translation)"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Passavant_1833/P4386_036-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1833, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. 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[\u2026] Raphael. Das Altarblatt aus der Servitenkirche St. Fiorenzo zu Perugia. [...] Das Gem\u00e4lde ist von vortrefflicher Erhaltung, und nur an dem einen Fuss des Johannes wurde ein Versuch gemacht, es zu waschen; gl\u00fccklicherweise liefs man sogleich davon ab. Bekanntlich malte Raphael dieses Bild f\u00fcr die Erben des Filippo die Simone Ansidei, welcher zur Errichtung einer Kapelle eine bedeutende Summe hinterlassen hatte. Erst 1764 erstand Gavino Hamilton das Bild f\u00fcr Lord Robert Spencer und liess von Nic. Monti eine Copie f\u00fcr die Kirche machen, die sich noch in St. Fiorenzo befindet. Lord Spencer schenkte nachmals das Original an den Herzog von Marlborough, der es nun in Blenheim aufbewahrt. [\u2026].\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passavant 1836, II, pp. 2-4 (translation)"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Passavant_1833/P4386_036-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1833, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-0M15-EF4H-NHQ3-UDKU"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Johann David Passavant in his Kunstreise durch England und Belgien of 1833"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0008"},"childl2_order":{"type":"literal","value":"4"},"childl2_content":{"xml:lang":"en","type":"literal","value":"\u2018Blenheim. [...] Raphael. The altar piece from the church of St. Fiorenzo, at Perugia. [\u2026] The picture is in excellent preservation. An attempt to clean it has been made at the lower part [one foot of Saint John]; but, fortunately, proceeded no further. It is well known that Raphael painted this picture for the heirs of Filipo di Simone Ansidei, who had bequeathed a considerable sum for the erection of a chapel. Gavino Hamilton purchased it for Lord Robert Spencer, in 1764; and a copy by Nic. Monti was substituted, which still exists in the church of St. Fiorenzo. Lord Spencer afterwards presented the original to his brother, the Duke of Marlborough. [\u2026].\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passavant 1836, II, pp. 2-4 (translation)"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Passavant_1836_II/P4386_064-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1836, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-0M15-EF4H-NHQ3-UDKU"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Johann David Passavant in his Kunstreise durch England und Belgien of 1833"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0008"},"childl2_order":{"type":"literal","value":"4"},"childl2_content":{"xml:lang":"de","type":"literal","value":"\u2018Blenheim. [\u2026] Raphael. Das Altarblatt aus der Servitenkirche St. Fiorenzo zu Perugia. [...] Das Gem\u00e4lde ist von vortrefflicher Erhaltung, und nur an dem einen Fuss des Johannes wurde ein Versuch gemacht, es zu waschen; gl\u00fccklicherweise liefs man sogleich davon ab. Bekanntlich malte Raphael dieses Bild f\u00fcr die Erben des Filippo die Simone Ansidei, welcher zur Errichtung einer Kapelle eine bedeutende Summe hinterlassen hatte. Erst 1764 erstand Gavino Hamilton das Bild f\u00fcr Lord Robert Spencer und liess von Nic. Monti eine Copie f\u00fcr die Kirche machen, die sich noch in St. Fiorenzo befindet. Lord Spencer schenkte nachmals das Original an den Herzog von Marlborough, der es nun in Blenheim aufbewahrt. [\u2026].\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1833, pp. 173-4; Passavant 1836, II, pp. 2-4 (translation)"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Passavant_1836_II/P4386_064-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1836, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-APAE-WF1V-SEIV-GO74"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Johann David Passavant in his Rafael von Urbino und sein Vater Giovanni Santi of 1839"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0009"},"childl2_order":{"type":"literal","value":"5"},"childl2_content":{"xml:lang":"en","type":"literal","value":"\u2018Raphael painted this altarpiece for the Chapel of St. Nicholas of Bari in the church S. Fiorenzo at Perugia which belonged to the Ansidei family, and for its decoration Filippo di Simone Ansidei, who died in 1490, left a considerable bequest. Lord Robert Spencer bought the picture for a considerable price in the year 1764 through Gavin Hamilton and against a copy by Nicolo Monti which is still situated in the church. The lord presented it later to his brother, the Duke of Marlborough, who keeps it in the gallery in Blenheim palace.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1839, II, no. 32"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Passavant_1839_II/P4631_012-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1839, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-APAE-WF1V-SEIV-GO74"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Johann David Passavant in his Rafael von Urbino und sein Vater Giovanni Santi of 1839"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0009"},"childl2_order":{"type":"literal","value":"5"},"childl2_content":{"xml:lang":"de","type":"literal","value":"\u2018Rafael malte diese Altartafel f\u00fcr die Capelle S-Nicolo di Bari in der Kirche S. Fiorenzo zu Perugia, welche der Familie Ansidei geh\u00f6rt und zu deren Ausschm\u00fcckung der im Jahr 1490 verstorbene Filippo di Simone Ansidei ein bedeutendes Verm\u00e4chtniss hinterlassen hatte. Durch Galvino Hamilton erstand im Jahr 1764 Lord Robert Spencer das Bild f\u00fcr einen bedeutenden Preis und gegen eine von Nicolo Monti verfertigte Copie, die sich noch in der Kirche befindet. Der Lord schenkte es nachmals seinem Bruder, dem Herzog von Marlborough, der es in der Gallerie im Palast Blenheim aufbewahrt.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1839, II, no. 32"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Passavant_1839_II/P4631_012-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1839, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY2P-HE42-LOV2-FUOU"},"childl2_title":{"xml:lang":"en","type":"literal","value":"French translation of Johann David Passavant\u2019s Rafael von Urbino und sein Vater Giovanni Santi (Rapha\u00ebl d\u2019Urbin et son P\u00e8re Giovanni Santi) of 1860, corrected and augmented by the author:"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0010"},"childl2_order":{"type":"literal","value":"6"},"childl2_content":{"xml:lang":"fr","type":"literal","value":"\u2018Madone de la famille Ansidei (1505). [\u2026] Rapha\u00ebl peignit ce tableau d\u2019autel pour la chapelle de saint Nicolas de Bari, dans l\u2019\u00e9glise S. Fiorenzo, \u00e0 P\u00e9rouse ; chapelle qui appartient \u00e0 la famille Ansidei, et pour la d\u00e9coration de laquelle Filippo di Simone Ansidei, mort en 1490, laissa un legs consid\u00e9rable. Par l\u2019entremise de Galvino Hamilton, ce beau tableau fut achet\u00e9, en 1764, par lord Robert Spencer pour une somme consid\u00e9rable, et en \u00e9change d\u2019une copie faite par Nicolas Monti, laquelle est encore dans l\u2019\u00e9glise. Le noble lord donna plus tard ce tableau \u00e0 son fr\u00e8re le duc de Marlborough ; il est encore aujourd\u2019hui conserv\u00e9 \u00e0 Blenheim Palace.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1860, II, no. 26"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Passavant_1860_title-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1860, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY2P-HE42-LOV2-FUOU"},"childl2_title":{"xml:lang":"en","type":"literal","value":"French translation of Johann David Passavant\u2019s Rafael von Urbino und sein Vater Giovanni Santi (Rapha\u00ebl d\u2019Urbin et son P\u00e8re Giovanni Santi) of 1860, corrected and augmented by the author:"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0010"},"childl2_order":{"type":"literal","value":"6"},"childl2_content":{"xml:lang":"en","type":"literal","value":"\u2018The Madonna of the Ansidei Family (1505). [\u2026] Raphael painted this altarpiece for the chapel of Saint Nicholas of Bari in the church S. Fiorenzo at Perugia; a chapel which belongs to the Ansidei family, and for the decoration of it Filippo di Simone Ansidei, deceased in 1490, left a considerable bequest. By the intervention of Gavin Hamilton, this beautiful painting was bought in 1764 by Lord Robert Spencer for a considerable sum and in exchange for a copy made by Nicolas Monti which is still at the church. The noble Lord gave the painting later to his brother the Duke of Marlborough; today it is still preserved at Blenheim Palace.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1860, II, no. 26"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Passavant_1860_title-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1860, II, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-QE78-LXMI-CL1D-90CZ"},"childl2_title":{"xml:lang":"en","type":"literal","value":"English translation of Johann David Passavant\u2019s Rafael von Urbino und sein Vater Giovanni Santi (Raphael of Urbino and his Father Giovanni Santi) of 1872, abridged version with references to the French edition of 1860"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0011"},"childl2_order":{"type":"literal","value":"7"},"childl2_content":{"xml:lang":"en","type":"literal","value":"\u2018The Madonna of the Ansidei Family (1505). [\u2026] This altar-piece was originally painted for the chapel of St. Nicholas of Bari in S. Fiorenzo, at Perugia, but it was sold to Lord Spencer in 1764, and by him presented to his brother, the Duke of Marlborough, in whose palace at Blenheim it still remains. [\u2026].\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Passavant 1872, no. 26"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/2009/08/17/P4441_016-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Passavant 1872, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-KIFV-XSNL-VW4E-LQZQ"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Gustav Friedrich Waagen in his Treasures of Art in Great Britain of 1854"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0012"},"childl2_order":{"type":"literal","value":"8"},"childl2_content":{"xml:lang":"en","type":"literal","value":"\u2018[Blenheim Palace] This picture, which Raphael, according to Vasari, painted, after his first residence in Florence, for the family chapel of the Ansidei, in the church of the Serviti, or S. Fiorenzo, at Perugia, is a highly important work [\u2026]. Till the year 1764 this picture remained in the church of S. Fiorenzo. At that time it was purchased by Mr. Gavin Hamiliton for Lord Spencer, who subsequently presented it to the Duke of Marlborough.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Waagen 1854, III, pp. 127-8"},"childl2_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Waagen_1854_III_title-PYR.tif/full/,256/0/default.jpg"},"childl2_caption":{"xml:lang":"en","type":"literal","value":"Waagen 1854, III, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-WB3R-DPJI-0Z74-XP37"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Gustav Friedrich Waagen in his \u00dcber den k\u00fcnstlerischen Bildungsgang Rafael\u2019s und seine vornehmsten Werke of 1859"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0013"},"childl2_order":{"type":"literal","value":"9"},"childl2_content":{"xml:lang":"en","type":"literal","value":"\u2018In the second painting [Ansidei Madonna], also referred to in 1505, [...]. In the year 1764 Gavin Hamilton bought it from this church in Perugia for Lord Robert Spencer, who gave it later to his brother, the Duke of Marlborough. Since then it has been at the seat of this family, at Blenheim Palace.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Waagen 1859, pp. 272-3"}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-HRRH-Z4W5-QZFF-3380"},"child_title":{"xml:lang":"en","type":"literal","value":"Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0007"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"Lord Robert Spencer (who died in 1831) presented the main panel (retaining the predella) to his brother the 4th Duke of Marlborough"},"childl2":{"type":"uri","value":"https://data.ng-london.org.uk/SC-WB3R-DPJI-0Z74-XP37"},"childl2_title":{"xml:lang":"en","type":"literal","value":"Described by Gustav Friedrich Waagen in his \u00dcber den k\u00fcnstlerischen Bildungsgang Rafael\u2019s und seine vornehmsten Werke of 1859"},"childl2_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0013"},"childl2_order":{"type":"literal","value":"9"},"childl2_content":{"xml:lang":"de","type":"literal","value":"\u2018In dem zweiten Bild [Ansidei Madonna], ebenfalls mit 1505 bezeichnet, [\u2026]. Im Jahr 1764 von Gavin Hamilton aus jener Kirche in Perugia f\u00fcr Lord Robert Spencer gekauft, schenkte es dieser sp\u00e4ter seinem Bruder, dem Herzog von Marlborough. Seitdem befindet es sich auf dem Landsitz dieser Familie, dem Schlo\u00df Blenheim.\u2019"},"childl2_note":{"xml:lang":"en","type":"literal","value":"Waagen 1859, pp. 272-3"}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VIA6-61JR-HOIC-BY45"},"title":{"xml:lang":"en","type":"literal","value":"M. Hofmann, \u2018The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)\u2019, The Mellon Digital Documentation Project, 2008."},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II"},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-9J8J-TD2B-A5K8-GO25"},"child_title":{"xml:lang":"en","type":"literal","value":"Bought by the National Gallery, London, from the 8th Duke of Marlborough for \u00a370,000 with a special Parliament Grant in 1885"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_Part_II_0015"},"child_order":{"type":"literal","value":"5"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Inventory/P4254_005-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Inventory, National Gallery Archive, London, NG2/1."}}]

Issues in providing Open Data in Heritage Science

This site presents access to two example Heritage Science data sets that have been mapped to the CIDOC-CRM ontology and a few of the the related CIDOC models. They have both been formatted as RDF XML and uploaded to an open instance of the Blazegraph Triple Store, hosted on one of the National Galleries public research servers. SPARQL queries can be submitted using the GUI provided or direct queries can be submitted to the end-points using URLs with the following format:

https://END-POINT-URL?format=json&query=FULLESCAPEDSPARQLQUERY

A series of example SPARQL queries are presented, for data set one, to document how the datasets are organised and the various relationships that have been mapped to the CIDOC CRM. A simple default query is also presented, for both of the data sets, to allow new bespoke queries to be created. The queries pages are organised into two main sections; the SPARQL query on the left and the results, formatted as JSON, presented on the right. Three additional interaction options are also provided through the small icons in the upper right:

- Re-format the results and present the defined relationships as a graphic model (see below).
- A shareable link for the current query presentation webpage - including bespoke queries.
- A direct shareable link to a simple json version of the results of the current query - including bespoke queries.

Website Code:

GitHub

Data set 1: The Raphael Research Resource

In 2007 the Raphael Research Resource project began to examine how complex conservation, scientific and art historical research could be combined in a flexible digital form. Exploring the presentation of interrelated high resolution images and text, along with how the data could be stored in relation to an event driven ontology in the form of RDF triples. The original main user interface is still live and the data stored within the system is presented here in the form of open linkable data combined with a SPARQL end-point.

End-point:	https://rdf.ng-london.org.uk/bg/bigdata/sparql/namespace/sshoc-raphael
Classes:	36	Properties:	69
Entities:	40915	Triples:	414401
Ontologies:	CIDOC CRM, CRM Dig, CRM Sci	Full XML:	DOI
Mapping Code:	GitHub	Original GUI:	Link

Data set 2: The Grounds Database

In 2018 the IPERION-CH Grounds Database was presented to examine how the data produced through the scientific examination of historic painting preparation or grounds samples, from multiple institutions could be combined in a flexible digital form. Exploring the presentation of interrelated high resolution images, text, complex metadata and procedural documentation. The original main user interface is live, though password protected at this time, and the data stored within the system is presented here in the form of open linkable data combined with a SPARQL end-point.

End-point:	https://rdf.ng-london.org.uk/bg/bigdata/sparql/namespace/sshoc-grounds
Classes:	60	Properties:	78
Entities:	41197	Triples:	474470
Ontologies:	CIDOC CRM, CRM Dig, CRM Sci	Full XML:	DOI
Mapping Code:	GitHub	Original GUI:	Link

Data set 3: The SMK Grounds Database (Not searchable here)

The work carried out within T5.6 of SSHOC also provided technical support for the production of a new open version of the Grounds Database, with all of its content made re-usable under a defined creative-commons licences. A generous grant from The Samuel H. Kress Foundation for the project "The digitization of cross-sections from Italian and Dutch paintings" at The National Gallery of Denmark (SMK) enabled the digitization and analyses of cross-sections from a total of 158 Italian 14th to 17th C. and 17th C. Dutch paintings from the SMK collection to be made available in this open access art and technology research database on ground layers. With samples from the collections of Nationalmuseum Stockholm and Museum of National History, Frederiksborg Castle in Hillerød the database includes an additional 11 paintings. Effort within the SSHOC project re-formatted the provided data and enabled it to be presented within the IPERION-CH Grounds Database GUI. Further work was also carried out to open up this data to non specialists, allowing access to the same images via a simple keyword search option, though a Simple IIIF Discovery site, the development of which was supported by the AHRC funded Practical IIIF project, the SSHOC project and the H2020 IPERION HS project.

IIIF Discovery End-point:	https://research.ng-london.org.uk/smk/
Full Website:	Link	Simple IIIF Discovery Website:	Link
Simple IIIF Discovery Code:	GitHub

The Dynamic Modeller

Initially in response to restrictions imposed by COVID-19 a live, online, dynamic, modelling system was developed to facilitate the collaborative development of semantic models and flow diagrams within SSHOC, but also within other related research projects such as the Linked.Art project and the H2020 IPERION HS research project. This is an interactive modelling system which can automatically convert simple tab separated triples or JSON-LD into graphical models using the mermaid library. To improve the accessibility and understanding of these presented data sets the output of each of the SPARQL queries, including bespoke queries, can be automatically formatted and modelled using the dynamic modeller. This can be achieved by clicking on the small "eye" icon in the upper right corer of any of the SPARQL query pages.

Full Website:

Link

Website Code:

GitHub

Open Data in Heritage Science

M. Hofmann, ‘The Provenance of the Altarpiece of San Fiorenzo in Perugia. Part II: The Separated Main Panel (NG1171)’, The Mellon Digital Documentation Project, 2008.

Erroneously assumed to have been bought in 1764 by Gavin Hamilton on behalf of Lord Robert Spencer

Rome, Colin Morison (b. 1732, d. 1810), antiquary and art dealer, 1768

Bought (directly from the Servite friars of San Fiorenzo) in Perugia in 1768

London, Lord Robert Spencer (b. 1747, d. 1831), 1768

Bought in London in 1768 for £1000

Guide to Blenheim, recording the purchase of the altarpiece as 1768

Oxfordshire, Palace of Blenheim, Dukes of Marlborough, before 1831

Described by Crowe and Cavalcaselle in their two-volume book on Raphael of 1882-5

Described by Johann David Passavant in his Kunstreise durch England und Belgien of 1833

Described by Johann David Passavant in his Rafael von Urbino und sein Vater Giovanni Santi of 1839

French translation of Johann David Passavant’s Rafael von Urbino und sein Vater Giovanni Santi (Raphaël d’Urbin et son Père Giovanni Santi) of 1860, corrected and augmented by the author:

English translation of Johann David Passavant’s Rafael von Urbino und sein Vater Giovanni Santi (Raphael of Urbino and his Father Giovanni Santi) of 1872, abridged version with references to the French edition of 1860

Described by Gustav Friedrich Waagen in his Treasures of Art in Great Britain of 1854

Described by Gustav Friedrich Waagen in his Über den künstlerischen Bildungsgang Rafael’s und seine vornehmsten Werke of 1859

Bought by the National Gallery, London, from the 8th Duke of Marlborough for £70,000 with a special Parliament Grant in 1885