Open Data in Heritage Science

SPARQL: Find further details for a given digital text

PREFIX rdfs:<http://www.w3.org/2000/01/rdf-schema#>
PREFIX owl:<http://www.w3.org/2002/07/owl#>
PREFIX rdf:<http://www.w3.org/1999/02/22-rdf-syntax-ns#>
PREFIX crm:<http://www.cidoc-crm.org/cidoc-crm/>
PREFIX aat:<http://vocab.getty.edu/page/aat/>
PREFIX wd:<http://www.wikidata.org/entity/>
PREFIX ng:<https://data.ng-london.org.uk/>
PREFIX dig:<http://www.cidoc-crm.org/crmdig/>
PREFIX sci:<http://www.cidoc-crm.org/crmsci/>

# Find further details for a given digital text - including "child" texts

SELECT DISTINCT 
  ?text ?title ?label ?content ?note ?order ?thumb ?caption 
    ?child  ?child_title ?child_label ?child_order  
    ?child_content ?child_note ?child_thumb ?child_caption 
WHERE {
  ?text rdfs:label ?label ;
    crm:P43_has_dimension ?dn;
    crm:P102_has_title ?tn .
  ?tn rdfs:label ?title .
  ?dn crm:P90_has_value ?order .   
OPTIONAL { 
    ?text  rdf:value ?content  . 
    FILTER(LANG(?content) = "en") .} .
OPTIONAL {  ?text crm:P3_has_note ?note . }
OPTIONAL {
  ?text crm:P67_refers_to ?imn . 
  ?imn crm:P2_has_type aat:300215302 .
  ?imn crm:P70_is_documented_in ?cd .
  ?cd crm:P2_has_type crm:E31_Document .
  ?cd rdfs:label ?caption.  
  ?imn crm:P65_shows_visual_item ?vim .
  ?tim crm:P65_shows_visual_item ?vim .
  ?tim crm:P2_has_type wd:Q873806 .
  ?tim crm:P48_has_preferred_identifier ?tbn .
  ?tbn rdf:value ?thumb . }
OPTIONAL { 
  ?text crm:P106_is_composed_of ?child .
  ?child rdfs:label ?child_label ;
    crm:P43_has_dimension ?chdn;
    crm:P102_has_title ?chtn .
  ?chtn rdfs:label ?child_title .
  ?chdn crm:P90_has_value ?child_order .

OPTIONAL { 
    ?child  rdf:value ?child_content  . 
    FILTER(LANG(?child_content) = "en") .} .
  OPTIONAL {  ?child crm:P3_has_note ?child_note . }
  OPTIONAL {
    ?child crm:P67_refers_to ?cimn . 
    ?cimn crm:P2_has_type aat:300215302 .
    ?cimn crm:P70_is_documented_in ?ccd .
    ?ccd crm:P2_has_type crm:E31_Document .
    ?ccd rdfs:label ?child_caption.  
    ?cimn crm:P65_shows_visual_item ?cvim .
    ?ctim crm:P65_shows_visual_item ?cvim .
    ?ctim crm:P2_has_type wd:Q873806 .
    ?ctim crm:P48_has_preferred_identifier ?ctbn .
    ?ctbn rdf:value ?child_thumb . 
    }
}

FILTER ( ?label = "Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"@en  ) . 
 
} LIMIT 20

Query Results

[{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-00UW-AZB7-WMAN-T87O"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Ottavio Lancellotti (d. 1670) in his Scorta Sagra"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0009"},"child_order":{"type":"literal","value":"8"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018In the chapel of St Nicholas in S. Fiorenzo which has a proud and haughty look, if not the decorations, at least the panel, is a unique work by Raphael of Urbino, who will not revere the saint with Christian devotion (Vasari in \u2018Lives\u2019 Filippo di Ansidei of Catrano was the founder of it in 1481.)\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MSS B4-5 (olim MSS 60-61), vol. II, fol. 246 (olim fol. 476)\nMS B5 in full"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/2009/08/18/P4437_012-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Ottavio Lancellotti (d. 1670), Scorta Sagra, Biblioteca Augusta, Perugia, MSS B4-5 (olim MSS 60-61), vol. II, f. 246 (olim fol. 476)."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-EV7S-T4PA-TZS3-SQQP"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Raffaello Sozi in a manuscript listing the best paintings in Perugia of about 1591"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0006"},"child_order":{"type":"literal","value":"5"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Excellent paintings of great fame are in the city of Perugia in various churches and places. [\u2026] In the church of S. Fiorenzo is the panel of the Ansidei by the divine Raphael of Urbino\u2019."},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 322 (E70), Memorie cittadine e domestiche di Rafaello Sozi, fol. 138 (see also Shearman 2003, II, pp. 1384-5)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia,%20BA,%20MS.%20322,%20f.%20138%20and%20title/P4437_003-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Raffaello Sozi, Manuscript listing the best paintings in Perugia, about 1591, Biblioteca Augusta, Perugia, MS 322 (E70), Memorie cittadine e domestiche di Rafaello Sozi, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-G8PM-CHEH-Z9X3-VRWO"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Cesare Crispolti the Elder in a manuscript listing the outstanding works of art in Perugia of about 1597"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0008"},"child_order":{"type":"literal","value":"7"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018The panel placed in the Ansidei chapel surpasses by a great extent any other panel of the aforesaid church in charm of colour and in skill, the panel places in the Ansidei chapel, which was made by the divine hand of Raphael of Urbino. Of it Giorgio Vasari makes a mention in his Life of Raphael.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 162 (C45), fol. 78"}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-QF3T-VCCU-TJRB-IG75"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Padre Timoteo Bottonio in his Annali before 1591"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0005"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018[...] he left some panels done by him in our city: two in Saint Francis of the convent, one with a dead Christ, the other with an Assumption; he made another for the Servites for the Ansidei chapel, and for Saint Anthony of Padua. In Saint Severus are also some paintings by him. He was a disciple of Pietro Perugino.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 1151, fol. 120v; on fol. 176 is a note that the work was begun in 1577; he died in 1591 (see also Shearman 2003, II, p. 1373)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/2009/08/18/P4437_010-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Padre Timoteo Bottonio, Annali, before 1591, Biblioteca Augusta, Perugia, MS 1151, f. 176 (p. 471), note that the work was begun in 1577."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VUVL-OJ80-FLVW-32GF"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Cesare Crispolti in his Descrizione e brevi note storiche di alcune chiese, edifici e monumenti di Perugia e di luoghi nel territorio di Perugia at the end of the sixteenth century"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0007"},"child_order":{"type":"literal","value":"6"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018It surpasses by a great extent any other panel of the aforesaid church in beauty, and charm of colour, as in all other respects, the panel in the Ansidei chapel painted by Raphael of Urbino: although it was made in his early years, like the one of the Madonna Atalanta in S. Francesco. Also, in the little predella we can see some beautiful little narratives which are worthy of such a man. Of this panel, Giorgio Vasari makes a mention in his Life of Raphael\u2019."},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 1256, fol. 28 (see also Shearman 2003, II, pp. 1418-9)\nMS 1256 in full"}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-Z2BD-Y4VQ-4BMZ-4FHE"},"child_title":{"xml:lang":"en","type":"literal","value":"Roman numerals M D V"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0002"},"child_order":{"type":"literal","value":"1"},"child_content":{"xml:lang":"en","type":"literal","value":"The gilt Roman numerals M D V appear in the border of the Virgin\u2019s mantle beneath her left arm; two vertical strokes have been interpreted by some authors as additional numerals, dating the altarpiece variously to 1505, 1506 and 1507."},"child_note":{"xml:lang":"en","type":"literal","value":"e.g. Shearman 2003, I, pp. 97-8; Plazzotta in Raphael 2004, p. 160"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/14_Microscopy/14.2_Microscope_Details/N-1171-00-000129-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"The Madonna and Child with Saint John the Baptist and Saint Nicholas of Bari (The Ansidei Madonna) (Detail: Edge of Virgin's mantle), The National Gallery, London, NG1171, imaged 14/02/2001 (35mm)."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-ZA7Y-FU4L-PYTV-OBQM"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Vasari in his Lives of the Artists, published in two editions of 1550 and 1568"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0003"},"child_order":{"type":"literal","value":"2"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Having executed these works and settled his affairs, Raffaello returned to Perugia, where he painted a panel-picture of Our Lady, S. John the Baptist, and S. Nicholas, for the Chapel of the Ansidei in the Church of the Servite Friars.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Vasari 1976, IV, pp. 161-2; Vasari 1912-14, p. 213 (translation)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Vasari_engl_1912-14_title-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Vasari 1912-4, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-ZA7Y-FU4L-PYTV-OBQM"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Vasari in his Lives of the Artists, published in two editions of 1550 and 1568"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0003"},"child_order":{"type":"literal","value":"2"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Having executed these works and settled his affairs, Raffaello returned to Perugia, where he painted a panel-picture of Our Lady, S. John the Baptist, and S. Nicholas, for the Chapel of the Ansidei in the Church of the Servite Friars.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Vasari 1976, IV, pp. 161-2; Vasari 1912-14, p. 213 (translation)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Vasari_vol_4_1976_A-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Vasari 1976, IV, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_bw-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-ZYS8-MQU7-5SUI-HLF5"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Raffaello Borghini in his Il Riposo of 1584"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0004"},"child_order":{"type":"literal","value":"3"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018[\u2026] in Perugia in the Servite Church in the Ansidei chapel a panel of Our Lady and some saints [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Borghini 1584, p. 386 (see also Shearman 2003, II, pp. 1322, 1324, 1328-9)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Borghini_1584/P4441_005-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Borghini 1584, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-00UW-AZB7-WMAN-T87O"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Ottavio Lancellotti (d. 1670) in his Scorta Sagra"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0009"},"child_order":{"type":"literal","value":"8"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018In the chapel of St Nicholas in S. Fiorenzo which has a proud and haughty look, if not the decorations, at least the panel, is a unique work by Raphael of Urbino, who will not revere the saint with Christian devotion (Vasari in \u2018Lives\u2019 Filippo di Ansidei of Catrano was the founder of it in 1481.)\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MSS B4-5 (olim MSS 60-61), vol. II, fol. 246 (olim fol. 476)\nMS B5 in full"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/2009/08/18/P4437_012-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Ottavio Lancellotti (d. 1670), Scorta Sagra, Biblioteca Augusta, Perugia, MSS B4-5 (olim MSS 60-61), vol. II, f. 246 (olim fol. 476)."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-EV7S-T4PA-TZS3-SQQP"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Raffaello Sozi in a manuscript listing the best paintings in Perugia of about 1591"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0006"},"child_order":{"type":"literal","value":"5"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Excellent paintings of great fame are in the city of Perugia in various churches and places. [\u2026] In the church of S. Fiorenzo is the panel of the Ansidei by the divine Raphael of Urbino\u2019."},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 322 (E70), Memorie cittadine e domestiche di Rafaello Sozi, fol. 138 (see also Shearman 2003, II, pp. 1384-5)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia,%20BA,%20MS.%20322,%20f.%20138%20and%20title/P4437_003-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Raffaello Sozi, Manuscript listing the best paintings in Perugia, about 1591, Biblioteca Augusta, Perugia, MS 322 (E70), Memorie cittadine e domestiche di Rafaello Sozi, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-G8PM-CHEH-Z9X3-VRWO"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Cesare Crispolti the Elder in a manuscript listing the outstanding works of art in Perugia of about 1597"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0008"},"child_order":{"type":"literal","value":"7"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018The panel placed in the Ansidei chapel surpasses by a great extent any other panel of the aforesaid church in charm of colour and in skill, the panel places in the Ansidei chapel, which was made by the divine hand of Raphael of Urbino. Of it Giorgio Vasari makes a mention in his Life of Raphael.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 162 (C45), fol. 78"}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-QF3T-VCCU-TJRB-IG75"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Padre Timoteo Bottonio in his Annali before 1591"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0005"},"child_order":{"type":"literal","value":"4"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018[...] he left some panels done by him in our city: two in Saint Francis of the convent, one with a dead Christ, the other with an Assumption; he made another for the Servites for the Ansidei chapel, and for Saint Anthony of Padua. In Saint Severus are also some paintings by him. He was a disciple of Pietro Perugino.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 1151, fol. 120v; on fol. 176 is a note that the work was begun in 1577; he died in 1591 (see also Shearman 2003, II, p. 1373)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/2009/08/18/P4437_010-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Padre Timoteo Bottonio, Annali, before 1591, Biblioteca Augusta, Perugia, MS 1151, f. 176 (p. 471), note that the work was begun in 1577."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-VUVL-OJ80-FLVW-32GF"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Cesare Crispolti in his Descrizione e brevi note storiche di alcune chiese, edifici e monumenti di Perugia e di luoghi nel territorio di Perugia at the end of the sixteenth century"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0007"},"child_order":{"type":"literal","value":"6"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018It surpasses by a great extent any other panel of the aforesaid church in beauty, and charm of colour, as in all other respects, the panel in the Ansidei chapel painted by Raphael of Urbino: although it was made in his early years, like the one of the Madonna Atalanta in S. Francesco. Also, in the little predella we can see some beautiful little narratives which are worthy of such a man. Of this panel, Giorgio Vasari makes a mention in his Life of Raphael\u2019."},"child_note":{"xml:lang":"en","type":"literal","value":"Perugia, Biblioteca Augusta, MS 1256, fol. 28 (see also Shearman 2003, II, pp. 1418-9)\nMS 1256 in full"}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-Z2BD-Y4VQ-4BMZ-4FHE"},"child_title":{"xml:lang":"en","type":"literal","value":"Roman numerals M D V"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0002"},"child_order":{"type":"literal","value":"1"},"child_content":{"xml:lang":"en","type":"literal","value":"The gilt Roman numerals M D V appear in the border of the Virgin\u2019s mantle beneath her left arm; two vertical strokes have been interpreted by some authors as additional numerals, dating the altarpiece variously to 1505, 1506 and 1507."},"child_note":{"xml:lang":"en","type":"literal","value":"e.g. Shearman 2003, I, pp. 97-8; Plazzotta in Raphael 2004, p. 160"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/14_Microscopy/14.2_Microscope_Details/N-1171-00-000129-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"The Madonna and Child with Saint John the Baptist and Saint Nicholas of Bari (The Ansidei Madonna) (Detail: Edge of Virgin's mantle), The National Gallery, London, NG1171, imaged 14/02/2001 (35mm)."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-ZA7Y-FU4L-PYTV-OBQM"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Vasari in his Lives of the Artists, published in two editions of 1550 and 1568"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0003"},"child_order":{"type":"literal","value":"2"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Having executed these works and settled his affairs, Raffaello returned to Perugia, where he painted a panel-picture of Our Lady, S. John the Baptist, and S. Nicholas, for the Chapel of the Ansidei in the Church of the Servite Friars.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Vasari 1976, IV, pp. 161-2; Vasari 1912-14, p. 213 (translation)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Vasari_engl_1912-14_title-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Vasari 1912-4, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-ZA7Y-FU4L-PYTV-OBQM"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Vasari in his Lives of the Artists, published in two editions of 1550 and 1568"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0003"},"child_order":{"type":"literal","value":"2"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018Having executed these works and settled his affairs, Raffaello returned to Perugia, where he painted a panel-picture of Our Lady, S. John the Baptist, and S. Nicholas, for the Chapel of the Ansidei in the Church of the Servite Friars.\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Vasari 1976, IV, pp. 161-2; Vasari 1912-14, p. 213 (translation)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-6480/02_Provenance/Vasari_vol_4_1976_A-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Vasari 1976, IV, title."}},{"text":{"type":"uri","value":"https://data.ng-london.org.uk/SC-NY5W-11OG-8UKX-0VY0"},"title":{"xml:lang":"en","type":"literal","value":"Perugia, San Fiorenzo, San Niccol\u00f2 chapel, 1505"},"label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0001"},"order":{"type":"literal","value":"1"},"thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Perugia_San_Fiorenzo_col_CP-PYR.tif/full/,256/0/default.jpg"},"caption":{"xml:lang":"en","type":"literal","value":"San Fiorenzo, Perugia."},"child":{"type":"uri","value":"https://data.ng-london.org.uk/SC-ZYS8-MQU7-5SUI-HLF5"},"child_title":{"xml:lang":"en","type":"literal","value":"Described by Raffaello Borghini in his Il Riposo of 1584"},"child_label":{"xml:lang":"en","type":"literal","value":"Hofmann_Provenance_2008_NG1171_NG6480_Part_I_0004"},"child_order":{"type":"literal","value":"3"},"child_content":{"xml:lang":"en","type":"literal","value":"\u2018[\u2026] in Perugia in the Servite Church in the Ansidei chapel a panel of Our Lady and some saints [\u2026].\u2019"},"child_note":{"xml:lang":"en","type":"literal","value":"Borghini 1584, p. 386 (see also Shearman 2003, II, pp. 1322, 1324, 1328-9)"},"child_thumb":{"xml:lang":"en","type":"literal","value":"https://research.ng-london.org.uk/iiif/pics/tmp/raphael_pyr/N-1171/02_Provenance/Borghini_1584/P4441_005-PYR.tif/full/,256/0/default.jpg"},"child_caption":{"xml:lang":"en","type":"literal","value":"Borghini 1584, title."}}]

Issues in providing Open Data in Heritage Science

This site presents access to two example Heritage Science data sets that have been mapped to the CIDOC-CRM ontology and a few of the the related CIDOC models. They have both been formatted as RDF XML and uploaded to an open instance of the Blazegraph Triple Store, hosted on one of the National Galleries public research servers. SPARQL queries can be submitted using the GUI provided or direct queries can be submitted to the end-points using URLs with the following format:

https://END-POINT-URL?format=json&query=FULLESCAPEDSPARQLQUERY

A series of example SPARQL queries are presented, for data set one, to document how the datasets are organised and the various relationships that have been mapped to the CIDOC CRM. A simple default query is also presented, for both of the data sets, to allow new bespoke queries to be created. The queries pages are organised into two main sections; the SPARQL query on the left and the results, formatted as JSON, presented on the right. Three additional interaction options are also provided through the small icons in the upper right:

- Re-format the results and present the defined relationships as a graphic model (see below).
- A shareable link for the current query presentation webpage - including bespoke queries.
- A direct shareable link to a simple json version of the results of the current query - including bespoke queries.

Website Code:

GitHub

Data set 1: The Raphael Research Resource

In 2007 the Raphael Research Resource project began to examine how complex conservation, scientific and art historical research could be combined in a flexible digital form. Exploring the presentation of interrelated high resolution images and text, along with how the data could be stored in relation to an event driven ontology in the form of RDF triples. The original main user interface is still live and the data stored within the system is presented here in the form of open linkable data combined with a SPARQL end-point.

End-point:	https://rdf.ng-london.org.uk/bg/bigdata/sparql/namespace/sshoc-raphael
Classes:	36	Properties:	69
Entities:	40915	Triples:	414401
Ontologies:	CIDOC CRM, CRM Dig, CRM Sci	Full XML:	DOI
Mapping Code:	GitHub	Original GUI:	Link

Data set 2: The Grounds Database

In 2018 the IPERION-CH Grounds Database was presented to examine how the data produced through the scientific examination of historic painting preparation or grounds samples, from multiple institutions could be combined in a flexible digital form. Exploring the presentation of interrelated high resolution images, text, complex metadata and procedural documentation. The original main user interface is live, though password protected at this time, and the data stored within the system is presented here in the form of open linkable data combined with a SPARQL end-point.

End-point:	https://rdf.ng-london.org.uk/bg/bigdata/sparql/namespace/sshoc-grounds
Classes:	60	Properties:	78
Entities:	41197	Triples:	474470
Ontologies:	CIDOC CRM, CRM Dig, CRM Sci	Full XML:	DOI
Mapping Code:	GitHub	Original GUI:	Link

Data set 3: The SMK Grounds Database (Not searchable here)

The work carried out within T5.6 of SSHOC also provided technical support for the production of a new open version of the Grounds Database, with all of its content made re-usable under a defined creative-commons licences. A generous grant from The Samuel H. Kress Foundation for the project "The digitization of cross-sections from Italian and Dutch paintings" at The National Gallery of Denmark (SMK) enabled the digitization and analyses of cross-sections from a total of 158 Italian 14th to 17th C. and 17th C. Dutch paintings from the SMK collection to be made available in this open access art and technology research database on ground layers. With samples from the collections of Nationalmuseum Stockholm and Museum of National History, Frederiksborg Castle in Hillerød the database includes an additional 11 paintings. Effort within the SSHOC project re-formatted the provided data and enabled it to be presented within the IPERION-CH Grounds Database GUI. Further work was also carried out to open up this data to non specialists, allowing access to the same images via a simple keyword search option, though a Simple IIIF Discovery site, the development of which was supported by the AHRC funded Practical IIIF project, the SSHOC project and the H2020 IPERION HS project.

IIIF Discovery End-point:	https://research.ng-london.org.uk/smk/
Full Website:	Link	Simple IIIF Discovery Website:	Link
Simple IIIF Discovery Code:	GitHub

The Dynamic Modeller

Initially in response to restrictions imposed by COVID-19 a live, online, dynamic, modelling system was developed to facilitate the collaborative development of semantic models and flow diagrams within SSHOC, but also within other related research projects such as the Linked.Art project and the H2020 IPERION HS research project. This is an interactive modelling system which can automatically convert simple tab separated triples or JSON-LD into graphical models using the mermaid library. To improve the accessibility and understanding of these presented data sets the output of each of the SPARQL queries, including bespoke queries, can be automatically formatted and modelled using the dynamic modeller. This can be achieved by clicking on the small "eye" icon in the upper right corer of any of the SPARQL query pages.

Full Website:

Link

Website Code:

GitHub